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Maxlight Journal

Stories of light, glass and architecture.

Case studies, house tours and practical thinking from the people who design, make and install Maxlight glazing.

Case Study

Oriel Bay Windows

How a frameless projection turns a flat elevation into a light-filled place to sit, look out and connect with the landscape.

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Interior view through a Maxlight Oriel Bay Window — an oak-lined projecting bay with frameless glass-to-glass corners framing a garden, set between brick walls above a low timber bench. — A Maxlight Oriel Bay Window, framed in oak and projecting toward the garden.

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Interior view through a Maxlight Oriel Bay Window — an oak-lined projecting bay with frameless glass-to-glass corners framing a garden, set between brick walls above a low timber bench.

Oriel Bay Windows

A frameless projecting window that creates depth, wider views and a light-filled place to sit within the architecture.Read story

Housestead — a single-storey thatched home wrapped in a full-height Maxlight glass envelope on a slender steel frame, overlooking the River Alde under winter light.

Housestead

A complete glass envelope around a thatched rural home overlooking the River Alde in the Suffolk Coast & Heaths.Read story

Parchment House

How quiet glazing, Corten steel and uncompromising detailing helped connect a Victorian house, dairy and former parchment factory.Read story

Why Maxlight doesn’t install bi-folding doors

Why Maxlight chose slimmer frames, fewer moving parts and more uninterrupted glass instead of continuing to install bi-folding doors.Read story

As featured in

HOUSE & GARDEN
RIBAJ
DEZEEN
ARCHITECTS’ JOURNAL
GRAND DESIGNS
THE SUNDAY TIMES
HOUSE & GARDEN
RIBAJ
DEZEEN
ARCHITECTS’ JOURNAL
GRAND DESIGNS
THE SUNDAY TIMES

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